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  • Ghost in the Machine - Absolute must-watch deep dive into so-called AI

    Writing for the Sundance Institute website, Erik Adams calls Valerie Veatch’s Ghost in the Machine "the scariest movie playing at the 2026 Sundance Film Festival". He’s not wrong. It’s not only scary, it’s also rage-inducing. Veatch traces the red line that links the current "AI " tools and the... continue
  • Clermont-Ferrand International Short Film Festival 2026

    Europe’s largest (and the world’s second largest) film festival back, nestled in the heart of France’s wild, volcanic region of the Massif Central. Its international competition, made up of 12 programmes of shorts, is one of the richest platforms for storytelling from around the world. The... continue
  • Arab picks from LFF 2025

    Aside from our recently reviewed Palestine 36, the BFI London Film Festival marked the festival run tailend for a number of films from the Arab world. Highlights include Erige Sehiri’s Promised Sky, a rare, necessary, and beautifully dramatised account of migrant women from the Ivory Coast living... continue
  • Palestine 36 - Harrowing and all too rare retelling of the...

    Palestinian cinema is distinctly prolific. The more efforts are made to erase Palestinians as a people and Palestine as a slice of West Asian land, the more urgent the storytelling becomes. 2025 has already seen a number of much hyped premieres and releases, but the novelty this year seems to be... continue
  • In Vermiglio, the cold bites but it also keeps you alive.

    1944. Wartime Italy. Icebound village. Maura Delpero’s Vermiglio (2025) is truly an exquisite winner of the Venice Film Festival’s Grand Jury. The slow-burn family saga unspools the glimpses of joy swallowed by the void of war. It has the essence of a memoir with the period film rooted in the... continue

Most recent articles

2 February 2021

Interview with Rayka Zehtabchi and Sam Davis, directors of Are You Still There?

by Elise Loiseau
You created three great female characters, and the daughter-mother bond is really well depicted. What can you tell us about the character development? Rayka: Spoiler alert here. The story is very personal. My father passed away during my first (…) Continue Reading »
2 February 2021

Q&A with the team behind Coffin

by Elise Loiseau
Interview with Houzhi Huang, Yuanqing Cai, Mandimby Lebon, Theo Tran Ngoc, Mikolaj Janiw and Nathan Crabot, codirectors of Coffin What made you want to make Coffin? We originally wanted to make a film with a short and simple story and to (…) Continue Reading »
2 February 2021

Interview with Sophie Beaulieu, director of Salem

by Clotilde Couturier
Why did you want to depict such a strict, snobbish family? The family isn’t so much strict and snobbish as stuck in their “values”, which they transmit by repeating rituals, behaviors and absurd ideologies. The upper classes are convinced (…) Continue Reading »
1 February 2021

Interview with Antoine Beauvois-Boetti, director of Le Cercle d’Ali [Ali’s Circle]

by Brasserie du Court team, Elise Loiseau
How much of Le Cercle d’Ali is documentary? Did you do research beforehand? I really wanted to get as close as possible to reality. Firstly, out of respect for the subject and the people involved. And also out of principle. I like the idea (…) Continue Reading »
1 February 2021

Interview with Alice Fargier, director of Le temps d’une nuit [The Time of Night]

by Abla Kandalaft
Where did the idea for Le temps d’une nuit come from? A friend of mine disappeared without giving any signs of life for several months. When I found her at a party at someone’s house who I barely knew, she was euphoric and I hardly recognized (…) Continue Reading »
1 February 2021

Interview with Theo Montoya, director of Son of Sodom

by Brasserie du Court team, Clotilde Couturier
How have you met Camilo Najar? I met Camilo 6 years ago at a party. When I saw him, he immediately caught my attention, he was a special guy, with his curly hair, and super thin. Besides that, he had an overwhelming personality. I will always (…) Continue Reading »
1 February 2021

Interview with Anna Szöllősi, director of Helfer

by Brasserie du Court team
Café court / Expresso Video - Anna Szöllősi from ClermontFd Short Film Festival on Vimeo. How would you describe the crisis the woman is facing? To what extent is the helper helping? The woman is struggling with anxiety and has an intense (…) Continue Reading »
30 January 2021

Interview with Sam White, director of Friends Online

by Abla Kandalaft
"Stacey" an anxiety ridden, lonely, keyboard-warrior recluse hopelessly tries to convince his favourite young friend Ellie, that he too is a teenage girl, with the desperate hope that she’ll send him the pictures he craves. Sam White impressive (…) Continue Reading »
30 January 2021

Interview with Guillaume Mainguet, director of Vincent Before Noon

by Abla Kandalaft
A father pays his son a visit after years of conflict and turns up in the middle of his house move. The son Vincent reacts violently to that intrusion. Emotionally weakened, the father involuntarily reveals the true reason of his visit, which (…) Continue Reading »
30 January 2021

Interview with Ariq Khan, director of Transit

by Abla Kandalaft
What motivated you to tell this story? Do many people find themselves in this “transit” situation in Bangladesh? I have always wanted my films to be about the common man, the type of characters whose stories are not as often seen in modern (…) Continue Reading »
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Don Josephus Raphael Eblahan : What it means to listen

In the space of four years, the Filipino director has made his mark with his intimate and luminous short films. Discovered in France in 2021 at the Clermont-Ferrand Short Film Festival, he has (…)
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7 Activist documentaries available for free

The UCLA Film Archive just announced that 7 activist documentaries that are now freely available to access and stream for students, academics, and others. This update was shared through the (…)
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Latest news

  • 5 November

    The Finance Curse at The Frontline Club on 12 November

    From care workers taking on the private equity barons to whistleblowers chasing offshore tax dodgers: The Finance Curse follows the global fight to stop financiers and far-right billionaires from capturing our economies and corrupting our democracies. Matched with encounters from the world’s (…)
  • 25 September

    Mexican Film Festival in Paris - October 2026

    Viva Mexico kicks off in a few weeks in the heart of Paris. The fourteenth edition of the festival celebrating the country’s cinematic landscape will be held at the Luminor cinema from 6-12 October. The festival presents an eclectic and diverse programme of films, Q&As, panels and (…)
  • 14 August

    The Battle of Algiers: Anti-Imperialist Film Club

    Ileana Chan (Global Majority for Peace) and Asa Winstanley (Electronic Intifada) review their top picks and rate their anti-imperialist credentials... Second up is classic doc The Battle of Algiers.
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