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  • Ghost in the Machine - Absolute must-watch deep dive into so-called AI

    Writing for the Sundance Institute website, Erik Adams calls Valerie Veatch’s Ghost in the Machine "the scariest movie playing at the 2026 Sundance Film Festival". He’s not wrong. It’s not only scary, it’s also rage-inducing. Veatch traces the red line that links the current "AI " tools and the... continue
  • Clermont-Ferrand International Short Film Festival 2026

    Europe’s largest (and the world’s second largest) film festival back, nestled in the heart of France’s wild, volcanic region of the Massif Central. Its international competition, made up of 12 programmes of shorts, is one of the richest platforms for storytelling from around the world. The... continue
  • Arab picks from LFF 2025

    Aside from our recently reviewed Palestine 36, the BFI London Film Festival marked the festival run tailend for a number of films from the Arab world. Highlights include Erige Sehiri’s Promised Sky, a rare, necessary, and beautifully dramatised account of migrant women from the Ivory Coast living... continue
  • Palestine 36 - Harrowing and all too rare retelling of the...

    Palestinian cinema is distinctly prolific. The more efforts are made to erase Palestinians as a people and Palestine as a slice of West Asian land, the more urgent the storytelling becomes. 2025 has already seen a number of much hyped premieres and releases, but the novelty this year seems to be... continue
  • In Vermiglio, the cold bites but it also keeps you alive.

    1944. Wartime Italy. Icebound village. Maura Delpero’s Vermiglio (2025) is truly an exquisite winner of the Venice Film Festival’s Grand Jury. The slow-burn family saga unspools the glimpses of joy swallowed by the void of war. It has the essence of a memoir with the period film rooted in the... continue

Most recent articles

1 February 2022

Interview with Rakan Mayasi, director of Trumpets in the Sky

by Abla Kandalaft, Brasserie du Court team
Boushra, one of the Syrian potato-picking girls in Lebanon, returns from a long day of work in the field only to learn that today her childhood will come to an end. Is the character of Boushra based on someone you know? The character of (…) Continue Reading »
1 February 2022

Interview with Ali Cabbar, director of Bahçeler Put Kesildi [Gardens petrified]

by Brasserie du Court team, Elise Loiseau
After his father’s death, Yusuf goes to his village, which he has not been to for years, and learns that a geothermal company wants to buy his father’s agricultural lands and drill a well. He wants to solve problems without disrespecting his (…) Continue Reading »
1 February 2022

Interview with Christoph Büttner, director of In Seiner Gnade [In His Mercy]

by Brasserie du Court team, Clotilde Couturier
One evening a prison director announces to a convict being executed next day. As by a miracle later at night the cell door opens. Being exhausted by endless interrogations the convict drags on through dark prison corridors. On his odyssey to gain (…) Continue Reading »
1 February 2022

Interview with Valéry Carnoy, director of Titan

by Abla Kandalaft, Brasserie du Court team
Nathan is thirteen years old boy. Driven by his new friend Malik, he prepares himself for a strange ritual to become a member of a teens gang. Who (or what) inspired you for Nathan’s character? When creating Nathan’s character, I was (…) Continue Reading »
1 February 2022

Interview with Romain Dumont, director of Au plaisir les ordures ! (See You Garbage!)

by Brasserie du Court team, Clotilde Couturier
For Christmas, three garbage collectors, Elijah, Nino and Belz, are surprised to be invited to dinner at the home of the Prime Minister and the First Lady. They go there, enthusiastic and candid, without suspecting that on the menu is a painful (…) Continue Reading »
1 February 2022

Interview with Olivier van Malderghem, director of Au Circuit (At the Circuit)

by Brasserie du Court team, Clotilde Couturier
Every weekend, Anne and Jeff go to the Mettet motorcycle circuit. A racing driver, Jeff is training. Anne takes his lap times. Occasionally, at the Au Circuit café, she negotiates bitterly on the phone the loan of the motorbike. Anne’s gaze then (…) Continue Reading »
1 February 2022

Interview with Ramata-Toulaye Sy, director of Astel

by Brasserie du Court team
It’s October, the end of the rainy season in Fouta, an isolated region in the north of Senegal. Astel (13) accompanies her father every day in the bush. Together, they look after their herd of cows. But one day, in the middle of the desert, the (…) Continue Reading »
1 February 2022

Interview with Michael Graversen and Florian Elabdi, co-directors of Ghosts of Mória

by Brasserie du Court team, Clotilde Couturier
When Europe’s Moria refugee camp burns to the ground, two friends from Aleppo choose to stay in the ruins and survive by scavenging metal in the apocalyptic world left by the fire. But they are in a race against the clock as the metal is taken by (…) Continue Reading »
1 February 2022

Interview with Marthe Sébille, director of Que la Bête monte

by Abla Kandalaft, Brasserie du Court team
After a bus accident in the middle of nowhere, Lupa decides to tag along with another passenger, Alban, who is determined to reach the nearest village on foot. Crossing through fields and rivers, they slowly go off-course in a strange forest. (…) Continue Reading »
30 January 2022

Interview with Varun Raman and Tom Hancock, co-directors of Man or Tree

by Brasserie du Court team, Clotilde Couturier
In the wilderness, a tree begins to question whether it may actually be a man tripping on hallucinogens. How did you come up with the idea for Man or Tree? It is based on a true story – the real-life experience of a friend, who had an (…) Continue Reading »
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Don Josephus Raphael Eblahan : What it means to listen

In the space of four years, the Filipino director has made his mark with his intimate and luminous short films. Discovered in France in 2021 at the Clermont-Ferrand Short Film Festival, he has (…)
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7 Activist documentaries available for free

The UCLA Film Archive just announced that 7 activist documentaries that are now freely available to access and stream for students, academics, and others. This update was shared through the (…)
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Latest news

  • 5 November

    The Finance Curse at The Frontline Club on 12 November

    From care workers taking on the private equity barons to whistleblowers chasing offshore tax dodgers: The Finance Curse follows the global fight to stop financiers and far-right billionaires from capturing our economies and corrupting our democracies. Matched with encounters from the world’s (…)
  • 25 September

    Mexican Film Festival in Paris - October 2026

    Viva Mexico kicks off in a few weeks in the heart of Paris. The fourteenth edition of the festival celebrating the country’s cinematic landscape will be held at the Luminor cinema from 6-12 October. The festival presents an eclectic and diverse programme of films, Q&As, panels and (…)
  • 14 August

    The Battle of Algiers: Anti-Imperialist Film Club

    Ileana Chan (Global Majority for Peace) and Asa Winstanley (Electronic Intifada) review their top picks and rate their anti-imperialist credentials... Second up is classic doc The Battle of Algiers.
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